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A History Of Video Art

A History of Video Art PDF

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Author: Chris Meigh-Andrews
Publisher: A&C Black
ISBN: 0857851888
Size: 36.92 MB
Format: PDF, Docs
Category : Art
Languages : en
Pages : 408
View: 3791


A History of Video Art is a revised and expanded edition of the 2006 original, which extends the scope of the first edition, incorporating a wider range of artists and works from across the globe and explores and examines developments in the genre of artists' video from the mid 1990s up to the present day. In addition, the new edition expands and updates the discussion of theoretical concepts and ideas which underpin contemporary artists' video. Tracking the changing forms of video art in relation to the revolution in electronic and digital imaging that has taken place during the last 50 years, A History of Video Art orients video art in the wider art historical context, with particular reference to the shift from the structuralism of the late 1960s and early 1970s to the post-modernist concerns of the 1980s and early 1990s. The new edition also explores the implications of the internationalisation of artists' video in the period leading up to the new millennium and its concerns and preoccupations including post-colonialism, the post-medium condition and the impact and influence of the internet.

A History Of Video Art

A History of Video Art PDF

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Author: Chris Meigh-Andrews
Publisher: Bloomsbury Academic
ISBN: 9781845202194
Size: 22.93 MB
Format: PDF, ePub, Docs
Category : Art
Languages : en
Pages : 320
View: 2942


Video Art is a critical introduction and guide to artists' video in both Europe and North America. It covers the period from the early 1960s -- when video art first appeared as a distinctive medium -- into the 1990s, when digital technology merged video's distinctive practice with that of independent film-making and photography. This artistic history is also a technological and a cultural history that sets its analysis of artistic practice firmly within the context of both the development of electronic imaging technology and the changing political and social climate. Richly illustrated, Video Art is essential reading for anyone interested in art history and contemporary art practice.

A History Of Artists Film And Video In Britain

A History of Artists  Film and Video in Britain PDF

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Author: David Curtis
Publisher: Bloomsbury Publishing
ISBN: 1838714162
Size: 44.48 MB
Format: PDF, Mobi
Category : Performing Arts
Languages : en
Pages : 320
View: 7572


In recent years the use of film and video by British artists has come to widespread public attention. Jeremy Deller, Douglas Gordon, Steve McQueen and Gillian Wearing all won the Turner Prize (in 2004, 1996, 1999 and 1997 respectively) for work made on video. This fin-de-siecle explosion of activity represents the culmination of a long history of work by less well-known artists and experimental film-makers. Ever since the invention of film in the 1890s, artists have been attracted to the possibilities of working with moving images, whether in pursuit of visual poetry, the exploration of the art form's technical challenges, the hope of political impact, or the desire to re-invigorate such time-honoured subjects as portraiture and landscape. Their work represents an alternative history to that of commercial cinema in Britain - a tradition that has been only intermittently written about until now. This major new book is the first comprehensive history of artists' film and video in Britain. Structured in two parts ('Institutions' and 'Artists and Movements'), it considers the work of some 300 artists, including Kenneth Macpherson, Basil Wright, Len Lye, Humphrey Jennings, Margaret Tait, Jeff Keen, Carolee Schneemann, Yoko Ono, Malcolm Le Grice, Peter Gidal, William Raban, Chris Welsby, David Hall, Tamara Krikorian, Sally Potter, Guy Sherwin, Lis Rhodes, Derek Jarman, David Larcher, Steve Dwoskin, James Scott, Peter Wollen and Laura Mulvey, Peter Greenaway, Patrick Keiller, John Smith, Andrew Stones, Jaki Irvine, Tracy Emin, Dryden Goodwin, and Stephanie Smith and Ed Stewart. Written by the leading authority in the field, A History of Artists' Film and Video in Britain, 1897-2004 brings to light the range and diversity of British artists' work in these mediums as well as the artist-run organisations that have supported the art-form's development. In so doing it greatly enlarges the scope of any understanding of 'British cinema' and demonstrates the crucial importance of the moving image to British art history.

After Uniqueness

After Uniqueness PDF

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Author: Erika Balsom
Publisher: Columbia University Press
ISBN: 0231543123
Size: 21.81 MB
Format: PDF, Docs
Category : Performing Arts
Languages : en
Pages : 320
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Images have never been as freely circulated as they are today. They have also never been so tightly controlled. As with the birth of photography, digital reproduction has created new possibilities for the duplication and consumption of images, offering greater dissemination and access. But digital reproduction has also stoked new anxieties concerning authenticity and ownership. From this contemporary vantage point, After Uniqueness traces the ambivalence of reproducibility through the intersecting histories of experimental cinema and the moving image in art, examining how artists, filmmakers, and theorists have found in the copy a utopian promise or a dangerous inauthenticity—or both at once. From the sale of film in limited editions on the art market to the downloading of bootlegs, from the singularity of live cinema to video art broadcast on television, Erika Balsom investigates how the reproducibility of the moving image has been embraced, rejected, and negotiated by major figures including Stan Brakhage, Leo Castelli, and Gregory Markopoulos. Through a comparative analysis of selected distribution models and key case studies, she demonstrates how the question of image circulation is central to the history of film and video art. After Uniqueness shows that distribution channels are more than neutral pathways; they determine how we encounter, interpret, and write the history of the moving image as an art form.

Video Art

Video Art PDF

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Author: Sylvia Martin
Publisher:
ISBN: 9783822829479
Size: 21.94 MB
Format: PDF, ePub, Mobi
Category : Art, Modern
Languages : en
Pages : 95
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California Video

California Video PDF

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Author: J. Paul Getty museum (Los Angeles, Calif.).
Publisher: Getty Publications
ISBN: 9780892369225
Size: 18.56 MB
Format: PDF, Docs
Category : Art
Languages : en
Pages : 312
View: 6416


This illustrated volume focuses on 58 artists, from early video pioneers to established artists.

Video Art The First Fifty Years

Video Art  The First Fifty Years PDF

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Author: Barbara London
Publisher: Phaidon Press
ISBN: 9780714877594
Size: 25.31 MB
Format: PDF, ePub
Category : Antiques & Collectibles
Languages : en
Pages : 280
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The curator who founded MoMA's video program recounts the artists and events that defined the medium's first 50 years Since the introduction of portable consumer electronics nearly a half century ago, artists throughout the world have adapted their latest technologies to art-making. In this book, curator Barbara London traces the history of video art as it transformed into the broader field of media art - from analog to digital, small TV monitors to wall-scale projections, and clunky hardware to user-friendly software. In doing so, she reveals how video evolved from fringe status to be seen as one of the foremost art forms of today.

Video Art

Video Art PDF

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Author: Michael Rush
Publisher:
ISBN: 9780500284872
Size: 13.74 MB
Format: PDF, Docs
Category : Art
Languages : en
Pages : 256
View: 3931


An up-to-date survey of the video art form traces its history throughout the past forty years and cites the work of key contributors, discussing a wide range of installations from the 1980s and 1990s while providing new coverage of the recent use of immersive environments including Virtual Reality. Reprint.

A History Of Experimental Film And Video

A History of Experimental Film and Video PDF

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Author: A.L. Rees
Publisher: Bloomsbury Publishing
ISBN: 1838714189
Size: 30.84 MB
Format: PDF, Kindle
Category : Performing Arts
Languages : en
Pages : 208
View: 2432


Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In his highly-acclaimed history of experimental film, A.L. Rees tracks the movement of the film avant-garde between the cinema and modern art (with its postmodern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse. In this revised and updated edition, Rees introduces experimental film and video to new readers interested in the wider cinema, as well as offering a guide to enthusiasts of avant-garde film and new media arts. Ranging from Cézanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British film and video artists from the 1990s to the present day, this expansive study situates avant-garde film between the cinema and the gallery, with many links to sonic as well as visual arts. The new edition includes a review of current scholarship in avant-garde film history and includes updated reading and viewing lists. It also features a new introduction and concluding chapter, which assess the rise of video projection in the gallery since the millennium, and describe new work by the latest generation of experimental film-makers. The new edition is richly illustrated with images of the art works discussed.

Making Images Move

Making Images Move PDF

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Author: Gregory Zinman
Publisher: University of California Press
ISBN: 0520302729
Size: 30.27 MB
Format: PDF, Docs
Category : Art
Languages : en
Pages : 392
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Making Images Move reveals a new history of cinema by uncovering its connections to other media and art forms. In this richly illustrated volume, Gregory Zinman explores how moving-image artists who worked in experimental film pushed the medium toward abstraction through a number of unconventional filmmaking practices, including painting and scratching directly on the film strip; deteriorating film with water, dirt, and bleach; and applying materials such as paper and glue. This book provides a comprehensive history of this tradition of “handmade cinema” from the early twentieth century to the present, opening up new conversations about the production, meaning, and significance of the moving image. From painted film to kinetic art, and from psychedelic light shows to video synthesis, Gregory Zinman recovers the range of forms, tools, and intentions that make up cinema’s shadow history, deepening awareness of the intersection of art and media in the twentieth century, and anticipating what is to come.

Black Women Film And Video Artists

Black Women Film and Video Artists PDF

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Author: Jacqueline Bobo
Publisher: Psychology Press
ISBN: 9780415920414
Size: 25.38 MB
Format: PDF, ePub, Mobi
Category : Performing Arts
Languages : en
Pages : 246
View: 1682


On Black women artists and cinema

Digital Art

Digital Art PDF

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Author: Christiane Paul
Publisher:
ISBN: 9783422070974
Size: 16.92 MB
Format: PDF, ePub
Category :
Languages : de
Pages : 256
View: 5882


Präsentiert werden die prägenden VertreterInnen der Digital Art mit ihren wichtigsten Werken. Zudem wird die Geschichte dieser Kunstrichtung von den Anfängen in den achtziger Jahren bis in die Gegenwart nachgezeichnet - mit einem Ausblick in die Zukunft. Überdies werden die Wechselwirkungen zwischen den verschiedenen gesellschaftlichen Entwicklungen und der Gegenwartskunst deutlich.

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